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Yo La Tengo

concerti

15 maggio 2018
MILANO
FABRIQUE
BIGLIETTO: 22 euro + d.p.
Apertura porte: 20:00
Inizio concerto: 21:00
PREVENDITE DISPONIBILI DAL 17 NOVEMBRE ALLE 11:00

www.yolatengo.com
www.facebook.com/TheRealYLT
twitter.com/therealylt
www.matadorrecords.com

Una delle band più amate e influenti dell’indie rock americano, autrice di immortali capolavori come I can hear the heart Beating as One,  And Then Nothing Turned Itself Inside Out, Summer Sun, annuncia il tour in Europa in primavera che toccherà anche lItalia con ununica imperdibile data a Milano!

Il trio composto da sempre da Ira Kaplan, Georgia Hubley e James McNew ha annunciato dopo un lungo silenzio le date del tour europeo che partirà da Dublino ad aprile e si concluderà a Bruxelles a fine maggio. Questi live segnano il ritorno sulle scene europee dopo il tour di 3 anni fa per presentare l’ultimo album Stuff Like That There.

Gli Yo La Tengo, alfieri e innovatori del rock, da oltre 30 anni esplorano tutte le possibili direzioni musicali riuscendo sempre a rimanere se stessi ed incarnando perfettamente l’emblema dell’alternative rock americano.
Tenete gli occhi aperti, avverte il trio. Nel 2018 le sorprese saranno molte!

Bio ufficiale di Stuff Like That There scritta da Kurt Wagner dei Lambchop:

Time has an unfunny way of moving pretty fast as we move with it. As artists we benefit from the accumulation of experience. A professor once told me “most artists only have maybe two or three ideas through the course of their lives. Try as they might they are doomed to repeat and refine those ideas. Sometimes they turn out to be good ideas.” That guy was full of beans but the notion of it gives me pause from time to time. What if he’s right?

Stuff Like That There may well be a 25th anniversary sequel to the idea of Fakebook but to my ears it makes a case for simply returning to what moved Yo La Tengo to make things in the first place:  embracing the people who they still hold close and making a spirited noise about it.

Does it not sound like fun to work with old friends like guitarist Dave Schramm and engineer Gene Holder? It also seems like a good way to try something “McNew,” like James McNew on upright bass, an elemental contribution whose significance cannot be overstated. With Fakebook as template, Stuff Like That There is a record with ties to the past which contribute to the sound they make furthered by an affinity for the sounds they love. Somehow they compose the already composed by return. It’s clear-eyed. It’s clever and concealed.

Rare is the band that can cover themselves. Rarer is the band that would even think of it and rarer still is a band that would return to the conception and re-imagine its first breakthrough record. Someone may have read recently that old quote about how “in not knowing history one is doomed to repeat it.” There’s not another band that I know that is less doomed than Yo La Tengo.

I thought it would be a good idea to listen to this record while writing the bio for it. It’s not. It is distracting. I drift away from the virtual page and fall deep into the virtual sound. Suddenly all sounds are amplified all around me, my dogs are barking and I’m in love all over again. “All Your Secrets” is playing and I hallucinate that the intro is from one of my old songs. I searched “Automatic Doom” to see what “cover” it was and it appears to be a song by either @mistersparrow or Special Pillow. My money is on the pillow though both are in the same key.

“Awhileaway” has got to be an original, I wrote one recently with the same title. Lucky for me I abandoned it. “I Can Feel The Ice Melting” turns out to be a Parliaments song. And “Naples” seems pretty dang original to me and it was originally by Antietam. “Somebody’s in Love” is a Sun Ra song. Darlene McCrea’s “My Heart’s Not In It” kicks things off and The Lovin’ Spoonful gets a nod with “Butchie’s Tune” (I still wonder who Butchie was). For me, my favorite track on the record is “Before We Stop To Think,” a cover of the great Great Plains. In a way it is the one that sums up their approach at its best.

One thing I’ve noticed is that once you learn who these songs are by originally it some how makes you seem much smarter when you can reveal its origin to another listener. Imagine yourself saying, “yes, it’s a great song and it’s by Great Plains!” It makes you the wiser. Yo La Tengo choose sources that make you enriched if not empowered. There’s a word I swore I’d never use.
Power up, people, this is stuff like that there.

Cordially, Kurt Wagner